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Constantine Finehouse
Russian-American pianist Constantine Finehouse, praised for
“interpretations of depth and maturity,” has
recently released his third album, Backwards Glance, pairing
solo piano works of Johannes Brahms and Richard Beaudoin.
His upcoming CD with cellist Sebastian Baverstam will feature
music of Franck, Shostakovich and Schemmer. The main focus of
the current and the upcoming concert seasons are recitals of
works by Chopin and Schumann, celebrating their bicentennials.
2010 will also see the release of the first in a series of
six CD‘s on Naxos Records of the complete solo piano music
of William Bolcom.
“Backwards Glance” : The music of both Johannes Brahms and Richard Beaudoin glances back at the old masters. Brahms re-shaped classical forms with his progressive harmony and phraseology; Beaudoin re-casts romantic lines, often layering quotes from the old masters while creating decidedly modern forms. Constantine Finehouse’s new recording weaves these two composers together, illustrating the vitality and interconnectivity within classical tradition. This new studio album from Constantine Finehouse is now available for purchase. |
“Backwards Glance”
music of Brahms & Beaudoin
Johannes Brahms (1833-1897)
Intermezzo In A Major, OP. 118 NO. 2 —
Andante teneramente
Richard Beaudoin (B. 1975)
Qui Tollis
I. Serenade—
Adagio malinconico
II. Movement
III. Scherzo—
Andantino cantando
Johannes Brahms (1833-1897)
Sonata No. 3 In F Minor, OP. 5
I.
Allegro maestoso
II.
Andante espressivo—Andante molto—Adagio
II. Scherzo—
Allegto energico
IV. Intermezzo [Rückblick]—
Andante molto
V. Finale—
Allegro moderato ma rubato—Presto—Tempo primo
Richard Beaudoin (B. 1975)
Les Signes De Ma Faiblesse
Animé—Très lent—Animé—Calme—Modéré et mélancholique—mouvement-retenu—Rapide et incisif— Modéré et mélancholique—au mouvement, tempo giusto—Modéré et lumineux—Décidé et très rude—Modéré et lumineux—Lent et simple—Lent et voluptueusement—Andante, tempo giusto |
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Yuko Izuhara-Gordon
Pianist Yuko Izuhara-Gordon gave her New York debut at
Alice Tully Hall with the Juilliard Symphony under the
baton of Otto Werner Muller, which established her as
one of today’s most accomplished young pianists.
Ms. Izuhara-Gordon was honored with the prestigious NHK
and Nomura awards. She is a first prize winner at the
All-Japan National Student Competition, Toho Gakuen
School of Music Concerto Competition, The Juilliard School
Concerto Competition, as well as a third prize winner at
the Città di Cantù International Piano Competition.
Ms. Izuhara-Gordon’s early studies were with her mother and later with Baruch Arnon, a professor at The Juilliard School. In Japan, she attended the Toho Gakuen School of Music as a student of Michiko Okamoto and Hidemitsu Hayashi. In 2002 and 2003 she was the sole recipient from Japan of a coveted education grant from the Japanese Agency for Cultural Affairs. The grant fully funded Ms. Izuhara-Gordon’s studies at the Juilliard School where she received BM and MM degrees under the tutelage of Joseph Kalichstein and Yoheved Kaplinsky. |
Ignacy Jan Paderewski (1860-1941)
Menuett célèbre, op. 14 no. 1 from Humoresques de concert
Claude Debussy (1862-1918)
L’isle joyeuse, L. 106
Federico Mompou (1893-1987)
Suburbis
I. El carrer, elguitarrista i el vell cavall
II. Gitanes I
III. Gitanes II
IV. L’ home de l’ aristó
Robert Schumann [trans. Liszt] (1810-1856)
Widmung, S. 566
Alberto Ginastera (1916-1983)
Sonata No. 1, op. 22
I.Allegro marcato
II. Presto misterioso
II. Adagio molto appassionato
IV. Ruvido ed ostinato
Sergei Rachmaninoff (1873-1943)
Etude-Tableau in D Major, op. 39 no. 9
Elégie, op. 3 no. 1 from Morceaux de Fantaisie
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