Constantine Finehouse
Russian-American pianist Constantine Finehouse, praised for “interpretations of depth and maturity,” has recently released his third album, Backwards Glance, pairing solo piano works of Johannes Brahms and Richard Beaudoin. His upcoming CD with cellist Sebastian Baverstam will feature music of Franck, Shostakovich and Schemmer. The main focus of the current and the upcoming concert seasons are recitals of works by Chopin and Schumann, celebrating their bicentennials. 2010 will also see the release of the first in a series of six CD‘s on Naxos Records of the complete solo piano music of William Bolcom.

“Backwards Glance” : The music of both Johannes Brahms and Richard Beaudoin glances back at the old masters. Brahms re-shaped classical forms with his progressive harmony and phraseology; Beaudoin re-casts romantic lines, often layering quotes from the old masters while creating decidedly modern forms. Constantine Finehouse’s new recording weaves these two composers together, illustrating the vitality and interconnectivity within classical tradition. This new studio album from Constantine Finehouse is now available for purchase.
“Backwards Glance”
music of Brahms & Beaudoin
Johannes Brahms (1833-1897)
Intermezzo In A Major, OP. 118 NO. 2 — Andante teneramente

Richard Beaudoin (B. 1975)
Qui Tollis
I. Serenade— Adagio malinconico
II. Movement
III. Scherzo— Andantino cantando

Johannes Brahms (1833-1897)
Sonata No. 3 In F Minor, OP. 5
I. Allegro maestoso
II. Andante espressivo—Andante molto—Adagio
II. Scherzo— Allegto energico
IV. Intermezzo [Rückblick]— Andante molto
V. Finale— Allegro moderato ma rubato—Presto—Tempo primo

Richard Beaudoin (B. 1975)
Les Signes De Ma Faiblesse
Animé—Très lent—Animé—Calme—Modéré et mélancholique—mouvement-retenu—Rapide et incisif— Modéré et mélancholique—au mouvement, tempo giusto—Modéré et lumineux—Décidé et très rude—Modéré et lumineux—Lent et simple—Lent et voluptueusement—Andante, tempo giusto
 


 
Yuko Izuhara-Gordon
Pianist Yuko Izuhara-Gordon gave her New York debut at Alice Tully Hall with the Juilliard Symphony under the baton of Otto Werner Muller, which established her as one of today’s most accomplished young pianists. Ms. Izuhara-Gordon was honored with the prestigious NHK and Nomura awards. She is a first prize winner at the All-Japan National Student Competition, Toho Gakuen School of Music Concerto Competition, The Juilliard School Concerto Competition, as well as a third prize winner at the Città di Cantù International Piano Competition.

Ms. Izuhara-Gordon’s early studies were with her mother and later with Baruch Arnon, a professor at The Juilliard School. In Japan, she attended the Toho Gakuen School of Music as a student of Michiko Okamoto and Hidemitsu Hayashi. In 2002 and 2003 she was the sole recipient from Japan of a coveted education grant from the Japanese Agency for Cultural Affairs. The grant fully funded Ms. Izuhara-Gordon’s studies at the Juilliard School where she received BM and MM degrees under the tutelage of Joseph Kalichstein and Yoheved Kaplinsky.
“Mosaic”
piano works by Debussy, Rachmaninoff, Schumann-Liszt, Mompou, Paderewski, Ginastera
Ignacy Jan Paderewski (1860-1941)
Menuett célèbre, op. 14 no. 1 from Humoresques de concert

Claude Debussy (1862-1918)
L’isle joyeuse, L. 106

Federico Mompou (1893-1987)
Suburbis
I. El carrer, elguitarrista i el vell cavall
II. Gitanes I
III. Gitanes II
IV. L’ home de l’ aristó

Robert Schumann [trans. Liszt] (1810-1856)
Widmung, S. 566

Alberto Ginastera (1916-1983)
Sonata No. 1, op. 22
I.Allegro marcato
II. Presto misterioso
II. Adagio molto appassionato
IV. Ruvido ed ostinato

Sergei Rachmaninoff (1873-1943)
Etude-Tableau in D Major, op. 39 no. 9
Elégie, op. 3 no. 1 from Morceaux de Fantaisie